List of articles from mojagitara (Zoznam článkov od mojagitara):

Diatonic intervals on the guitar fingerboard – examples on two strings

seventh chord Bbmi7 and its transpositions

E major chord – fingerboard orientation (CAGED)

Fingerboard orientation – chord G major

Fingerboard orientation – chord C major

Fingerboard orientation – chord A major

Here it is C harmonic major combined in color with the intervals marked

Modes of harmonic minor

Here it is C gybsy major spanish combined in color with the intervals marked

Here it is C gybsy major combined in color with the intervals marked

Here it is C gybsy minor combined in color with the intervals marked

detailed guide to scales

Here it is C Dorian-Frygidian in color with the intervals marked

Here it is C Lydian-Mixolydian mode in color with the intervals marked

Basic chord cadences – interactive guitar fretboards

*Bebob melodic_minor scale from „C“

Bebop major scale from „C“.

*Parallelism of modal scales derivation from C ionic

*Gybsy minor scale – simple exercise

*Gybsy major scale – simple exercise

*Gybsy major Spanish scale – simple exercise

*Pictorial collage of modal scales (7) + two combined modal scales

Here it is C locrian mode in color with the intervals marked.

Here it is C aiolian mode in color with the intervals marked.

Here it is C Mixolydian mode in color with the intervals marked

Here it is C lydian mode in color with the intervals marked.

Here it is C phrygian mode in color with the intervals marked.

Here it is C dorian mode in color with the intervals marked.

Here it is C Ionic mode in color with the intervals marked.

Doric mode – extended fingering

Doric mode A – Playing in tight positions

5 pictures system CAGED – horizontal – vertical

Simple exercise of modal scales with a major character.

Simple practice of modal scales with a minor character.

Guitar technique – natural harmonics

A blues pentatonic – 5 zones with fingering TYPE B

Symmetry of dominant seventh chords – new image

Guitar technique – Natural flagolets

Diatonic and altered triads in the basic form and their reversals – examples from „C“.

Turns of triad Cmi on the keyboard

ionic mode – extended fingering

ionic mode – Playing in tight positions

Tone system

Tone system Tones and their frequencies

G bluesova hexatonika

Chord derivation from the basic A major triad

Chord derivation from the basic E major triad

Chord derivation from the basic D major triad

Chord derivation from the basic G major triad

Orientation on the guitar fretboard – derivation of chords – C major chord.

Orientation on the guitar fretboard – derivation of chords – G major chord.

Altered 9th chords

Doric-Phrygian combined scale – simple exercise

Lydian-Mixolydian combined scale – simple exercise

Lydian-Harmonic combined scale – simple exercise

Guitar practice – Arpeggio – chord sequence A – H – E

A few exercises using the arpeggio technique

Locrian scale – simple exercise

Aiolian scale – simple exercise

Mixolydic scale – simple exercise

A dominant seventh chord with an added major sixth

Lydian scale – simple exercise

Phrygian scale – simple exercise

Doric scale – simple exercise

Ionic scale – simple exercise

Blues hexatonic – simple exercise

Horizontal distribution of intervals on the guitar fretboard

Blues pentatonic – simple exercise

Natural hexatonics – simple exercise

Natural pentatonic – simple exercise

Derivation of secondary harmonic functions – table

Derivation of the main harmonizing functions

Two voices in some scales

Transposition of the open triad in D major

DERIVATION OF INTERVALS

Fingerboard – detailed description – tones – lengths – frequencies

major triads – fifth affinity

Intervals in chords

Parallel scales of harmonic major – table

Melodic minor ascending (up)

Transposition of the open triad in A major

Arpeggio and Sweep Picking Three positions of the Emi chord

Transposition of major triads on the fretboard of the E guitar

Arpeggio and Sweep Picking example and demo Emi 7 – 12 position

Orientation on the guitar fretboard – derivation of chords – E major chord

CAGED system and basic tones

Mixolydian scale

Cadences of major triads in the circle of fifths

Orientation on the guitar fretboard – derivation of chords – chord D major

Overlapping fingerings on the guitar fretboard – TYPE C

Dominant core – Dominantné jadro

Ionian, Lydian and Mixolydian scales – 3-voice harmonization

Reversals of triads

9th chords

Overlapping fingerings on a TYPE A guitar fretboard (example in C ionska)

Detailed diagram of the basic Dmi open chord

Natural pentatonic C on guitar fretboard 1 to 12 position

Blues pentatonic

Harmonization of the diatonic major scale

Septachords – four notes

Derivation of basic seventh chords from fifth chords

Extended (compound) intervals

Detailed diagram of the basic open A major chord

Detailed diagram of the basic open C major chord

Detailed diagram of the basic open D major chord

Detailed diagram of the basic open E major chord

Detailed diagram of the basic open G major chord

Detailed diagram of the basic Ami open chord

Detailed diagram of the basic Emi open chord

Fifth chords – triads

Basic triads in the shape of the touch „A“

Diminished fifth chord (Xmi5b)

Altered fifth chord (X5b)

Chords in different types – genres of music

C A G E D system

Three major fifth chords in selected keys

Distribution of tones on the fingerboard

Alternative guitar tunings

Harmonization of harmonic major

Substituting chords – example in a song (Pozvanie na kávu)

Lydian – Lydian mode

Harmonization of the melodic minor of the ascending harmonic major

Barre chords

Basic – open forms of major and minor triads

Ionic scale C, G, D, A E, H, Fis, Cis

Creating seventh chords from subdominant and dominant triads

Tuning a guitar by comparing the pitch of adjacent strings

Chord cadences in fourths up in diatonic major

Chord cadences (seven chords) in fourths up in diatonic major

Chord minor cadences by fifths – #

Chord minor cadences by fifths – # when using seventh chords

Chord minor cadences in fourths – B flat

Chord minor cadences (seventh chords + ninth chord) in fourths – B flat

Chord cadences (seven chords) by fifths up in diatonic major

Doric – Doric mode

Phrygian – Phrygian mode

Symmetry of dominant seventh chords

Enharmonic substitution

Comparison of modal scales from the same base

Basic chords – chord keys of the seventh chord X7

Orientation on the guitar fretboard – derivation of chords – chord A major

Finger TYPE – A, TYPE – B, TYPE – C

Overlapping fingerings on the guitar fretboard

Derivation of natural scales through pure fifths

the parallelism of harmonic minor and Spanish gypsy major

Chromatic and diatonic advice

demo song Dmaj7

Comparison of tone distribution on piano and guitar

Horizontally guided intervals on the virtual fingerboard

The derivation of intervals in the basic diatonic series

Derivation of medieval (church) scales

non-tonal dominants table

Derivation of the most used scales

Interval formulas – scales

Diatonic C major on guitar fretboard 1 – 12 position

The chord formula

C diatonic major – complette TAB

Creating chords in thirds

Scale chord ruler – page B

Scale chord ruler – page A